When Savannah College of Art and Design gave us an open invitation to conduct a series of workshops on a topic of our choosing for a mix of graduate and undergraduate Industrial Design, Systems Design, and Furniture Design students, we began our planning by asking ourselves a few simple questions:

“What kind of experience would be valuable to such a broad range of design students?”
“What sort of experience is our studio uniquely equipped to give to design students?”

Solution

These questions fueled a productive dialogue in our studio, providing opportunities for us to reexamine our own processes and assumptions. Our area of focus emerged as we identified a frequent gap in design education between instruction of technical skills and instruction of critical thinking.

It occurred to us that this relationship between craft and visual thinking is a common point of friction for students, design educators, and professionals alike. Despite the perceived difficulty of balancing these elements, our own attempts yielded the best results when technical skills and critical thinking were practiced together as an interrelated set of techniques.

We began referring to this practice as “thinking through making” and it became the foundation of our workshop pedagogy. We wished to convey to the students that design was both intellectual and physical; fetishizing either element would only result in thin blood.

To communicate this concept, we planned a series of exercises in designing and prototyping elemental objects (paper products and, eventually, simple lighting devices) as an armature for uptake of our “thinking through making” lesson.

The first part of the workshop was conducted over three days on campus in Savannah, culminating in a design competition with the prize being admission to the second workshop. That heralded second workshop took place two weeks later in our own studio in Atlanta.

Results

We sought feedback from the students (through video interviews) and many of them viewed our workshops as a welcome opportunity to step out of their ordinary routine and explore fundamental boundaries of their philosophies and processes.

We were also pleased to see the students emerge with new practical skills (book-making and prototyping) and, in some cases, portfolio-worthy product outcomes.

We were impressed by the students’ enthusiasm, ideas, and skills. On top of that, they are stellar people conducting their studies in some incredible facilities.

The first part of the workshop was conducted over three days on campus in Savannah, culminating in a design competition with the prize being admission to the second workshop. That heralded second workshop took place in our own studio in Atlanta.

We have to confess – we had a blast and the workshop was revelatory in terms of providing opportunities for us to reexamine our own processes and assumptions. We’ve gotten a lot of traction out of the conversations that have emerged before, during, and after.

We’re busy combing through the mountain of documentation we created, but as soon as we have a handle on it, we’ll be posting a more comprehensive study of this endeavor.

Our work encompasses industrial design, interior architecture, photography, film, art direction, graphic design, and interactive design. This transdisciplinary approach creates a rich, energetic studio environment and helps us to see the gamut of possibilities in a new light.

Our purpose is to work alongside our clients to dissolve their creative problems. Our commitment to doing our best possible work builds trust and reputation, transcending disciplines and categories. We are change agents and our propulsive positive attitude brings out the best in the people we work with. We share a desire to collaborate with companies, individuals, and institutions who are interested in making things better.

Located in a renovated telephone factory on the Eastside of Atlanta, People of Resource is a lean office, able to offer stronger results and accelerated schedules at highly competitive rates.

David’s work has garnered numerous design awards and recognition from blogs, publications, and design institutions. His firms have served a wide range of clients, from giants like Coca-Cola and Fossil Inc. to innovative start-ups like the Center for the Visually Impaired and No Brakes Atlanta.

The Jones Group, one of Atlanta’s leading advertising agencies, brought together a team of professionals to completely overhaul their offices. Led by interior designer Caryn Grossman, the team consisted of lighting designer Christopher Moulder, artist Michi, contractor Shane Benefield, and People of Resource. Our contribution was the design and fabrication of all the workstations, along with breakout and conference tables.

Solution

The primary material used is Kirei board, a compressed ply board material created from reclaimed sorghum straw. We utilized Kirei along with 3-Form Chroma, powder coated steel, and formaldehyde-free MDF.

Features of the designs include integrated power routing in the table tops, under-table computer mounts, and magnetic whiteboard partitions.

Results

Upon delivery and installation, the space immediately appeared more cohesive and efficient, with the interaction of Kirei board and antique brick taking on a romantic undertone. This project won People of Resource a 2009 Atlanta Downtown Design Excellence Award.

Malcolm Fontier’s eponymous modern travel accessory line was an instant darling upon its debut. Well-deserved nods from noteworthy publications like Wired, Dwell, and Lucky are a regular thing for MF’s clean, stylish, and vegan-friendly carryall line.

Nevertheless, the designer’s success begged a question: what next? How could his brand’s solid reputation translate into new products? How could the audience for MF products increase? What would those moves look like?

Solution

To answer these questions, Malcolm Fontier again turned to People of Resource. Our relationship began several years ago when Malcolm tapped People of Resource to fabricate his trade show displays. We count it as an honor that he continues to trust us as a collaborative partner.

To gain increased control over interaction with his customer base, we initiated a two-pronged video campaign that would demonstrate the products’ usefulness and also convey Malcolm’s modern explorer brand message.

To reward loyal retailers and, again, tighten control over direct communication with customers, we developed retail displays that use high-quality materials in creative ways to keep production costs low.

Through a series of creative workshops, we worked alongside Malcolm’s team to research, understand, and expand upon the opportunities that laid in front of the company.

Results

As a result of our video and retail display work, we were able to deliver more meaningful connections between the Malcolm Fontier brand and its fanbase.

As a result of our product design workshops, we were able to expand Malcolm’s audience by creating new bag designs that increase his product offering variety. Further, our design for a new, lower-priced bag, delivers a broader audience while maintaining his reputation for top notch quality.

Roots Atlanta provides an encouraging and challenging support system to enable young people to flourish from the inside out. The heart of this organization and its desire to serve in a meaningful way attracted the People of Resource to run alongside its pursuits and actions.

After creating an identity and web site for Roots Atlanta, we approached them with a program of fun and interactive custom furnishings. When the unexpected difficulties that come with every start-up effort appeared, the time and budget demands tightened significantly.

Solution

We responded to the situation by calling on local organizations for donated materials, and using some clever design details to deliver an exciting, modern, and functional space.

With the help of the local school system surplus and Mohawk carpets, we were able to obtain old art tables, work tables, chairs, and carpet tiles.

We fabricated a shelving system out of a single piece of reclaimed walnut to showcase the best children’s books. By retrofitting affordable Ikea shelving with a mason jar storage system, craft supplies became easy to find and organize. We also utilized extra legs from school desks to make a maple reading table and a twelve-foot, solid, heart-pine bench.

Results

The space is now brimming with fun and excitement. Just from walking in, kids can feel the energy and intent of Roots’ energetic founder, Nicki Keys.

Dex is a leading provider of sustainable product using responsible practices. The firm is dedicated to exploring, pursuing, and executing creative applications of concrete and terrazzo.

When Craig Smith and Lauriel Leonard started Dex in 1999, their manufacturing of beautiful, original finishes made with recycled material and found objects pre-dated today’s green building movement by half a decade.

Having proven our agility by executing both displays and product photography for Dex, People of Resource was Craig and Lauriel’s chosen partner when it became obvious that Dex needed a more robust website to display their prodigious product offerings.

Solution

Dex has an expansive portfolio of materials, products, and custom projects. We began by researching and cataloguing the company’s output throughout its history – we were struck by the many exciting custom projects that, in the steady flow of day-to-day business, simply hadn’t been shown off to the degree that their quality demanded.

By tightly structuring a consistent layout, creating feature pages to highlight partnerships, designing icons for material types, and articulating descriptions of their projects, we primed Dex’s work to be viewed at its best.

Results

We created a clean environment that requires minimal cognitive load to navigate and effectively communicates a commitment to craft and exploration.

Since the relaunch, their visits and exposure improved and exceeded the previous site’s rates.

The good folks at the South’s finest track bike establishment, No Brakes Atlanta, asked us to help them add some pop to their new storefront.

After only two years of being in business, they were growing too much for their existing shop. Their newly acquired spot had a lot of potential, but needed some creative genius to make the most out of the budget.

Solution

We focused on the display of their high-end, minimalist track frames. These pieces are the cornerstone of any great bike, and deserve a proper presentation.

We wanted to see the frames in all their glory, floating and set just off the wall. Our goal was to dematerialize the awkward rack-style frame hangers that already exist. We wanted to boil it down to a simple, elegant, and magical solution.

Results

No Brakes provides a relaxed and comfortable environment for people of all levels and experience. The display we created embodies that with its super-simple, semantic components.

Luckie Food Lounge is the restaurant debut of visionary club entrepreneur Mike Boles, the developer and former owner of Atlanta’s Compound night club. Benefitting from an ideal Centennial Hill location that brings in locals and visitors alike, the enormous eatery features a fantastic world of the latest technology and clever new service industry twists.

While Creative Director at thing farm, David VanArsdale, along with thing farm Designer and Operations Director, David Ringholz, designed and fabricated custom interior furnishings and lighting for the sushi bar area of Luckie. The initial vision for sushi bar seating entailed multiple tables and a continuous overhead box light. This brief, though it accommodated some of the needs of use, failed to answer some of the more exciting questions related to community, privacy, and interaction.

Solution

Understanding the context of the space, the design team approached the volume as a sedate oasis in an otherwise intense dining and entertainment experience. The alternative plan that emerged consisted of a single, unified bamboo table and multiple overhead lighting pieces.

This approach fueled a reconsideration of the entire sushi bar area on the owner’s side and resulted in their request for the design of a flowing bamboo ceiling that interacts with the structural steel used in the building.

With our clients’ approval and full confidence, we produced our proposed twenty-foot bamboo communal dining table along with twenty-nine custom light fixtures.

Each ‘Luckie Blossom’ light pendant was designed, machined, and hand-assembled in-house from aluminum, delrin, and silicone. The pendants actively respond to movements in the space below. As people move beneath the blossoms, they magically open up to welcome and bathe guests in a soft glow produced by halogen bulbs resting in tubes of microscopic glass bubbles.

Results

The resulting sushi-bar area succeeds in allowing the refined, industrial aesthetic of the surrounding restaurant to cross-fade with the organic glow of the massive tropical fish tanks behind the sushi bar.

This project was honored with the 2007 Atlanta Downtown Design Excellence Award for interior space design.