When Savannah College of Art and Design gave us an open invitation to conduct a series of workshops on a topic of our choosing for a mix of graduate and undergraduate Industrial Design, Systems Design, and Furniture Design students, we began our planning by asking ourselves a few simple questions:

“What kind of experience would be valuable to such a broad range of design students?”
“What sort of experience is our studio uniquely equipped to give to design students?”

Solution

These questions fueled a productive dialogue in our studio, providing opportunities for us to reexamine our own processes and assumptions. Our area of focus emerged as we identified a frequent gap in design education between instruction of technical skills and instruction of critical thinking.

It occurred to us that this relationship between craft and visual thinking is a common point of friction for students, design educators, and professionals alike. Despite the perceived difficulty of balancing these elements, our own attempts yielded the best results when technical skills and critical thinking were practiced together as an interrelated set of techniques.

We began referring to this practice as “thinking through making” and it became the foundation of our workshop pedagogy. We wished to convey to the students that design was both intellectual and physical; fetishizing either element would only result in thin blood.

To communicate this concept, we planned a series of exercises in designing and prototyping elemental objects (paper products and, eventually, simple lighting devices) as an armature for uptake of our “thinking through making” lesson.

The first part of the workshop was conducted over three days on campus in Savannah, culminating in a design competition with the prize being admission to the second workshop. That heralded second workshop took place two weeks later in our own studio in Atlanta.

Results

We sought feedback from the students (through video interviews) and many of them viewed our workshops as a welcome opportunity to step out of their ordinary routine and explore fundamental boundaries of their philosophies and processes.

We were also pleased to see the students emerge with new practical skills (book-making and prototyping) and, in some cases, portfolio-worthy product outcomes.

We at People of Resource were pleased to debut our design exhibition, Yall & Us, on Saturday, June 5, 2010 at our studio in the historic Telephone Factory at the end of Modern Atlanta’s design week.

Although the focus was on design from all over the US, it was certainly our goal to put a bit of a Southern accent on the proceedings.

Toward that end, we sought to align every aspect of the event with that combination of scrappiness and hospitality for which the American South is known. In contrast to the typical trappings of the design exhibition world (wristbands, “no sit” signs, and corporate sponsors), Yall & Us attendees paid no admission and enjoyed complimentary Bourbon & Blenheims and Pimm’s Cups while admiring 40 design objects by 15 designers from across the US.

Hands-on interaction with the objects was encouraged and those who were especially intrigued were able to order prized pieces for themselves from their mobile phones thanks to e-commerce support from Subports.

The design of the exhibit itself drew on the utilitarian language of workshops: information about the objects and designers was displayed clearly on clipboards throughout the space. Illumination was provided by generic, everyday clamp lamps fitted with halogen bulbs.

FEATURED DESIGNERS

Craigton Berman, Chicago
Design Glut, Brooklyn
Et. Al., Etc., New York City
Jason Miller, Brooklyn
Joey Roth, San Francisco
Jonas Damon, New York City
Kiel Mead, New York City
Materious, Chicago
Object Group, New York City
Refined Sugar Studio, Cincinnati
Rich Brilliant Willing, New York City
Studio 1 AM, Chicago
Thoughtbarn, Austin
Von Tundra, Portland
Wintercheck Factory, Brooklyn

COLLABORATIONS

One exciting aspect of planning, designing, and producing this exhibition was the opportunity it presented to work with talented friends on various components of the show. We were pleased to commission Jason Travis to photograph the weekend’s events. In the weeks leading up to the show, we commissioned Farbod Kokabi of Armchair to create the exhibit’s bold, minimalist promotional graphics. Finally, we designed an e-commerce site filled with objects from the exhibit for Subports. For their part, Subports handled development of the site and provided their innovative text-to-buy platform as the e-commerce backend for both the site and the exhibit itself.

Melissa and People of Resource have a brief but vivid history together. When we’ve needed extra hands and brains on deck, Melissa has enthusiastically pitched in. Her talent and intelligence have been a boon to us and we were honored that she would trust us with the fabrication of her lamp prototype, a project many months in the making.

The video above details some of the work that went into bringing this piece to life. For more on the concept, see Melissa’s description below:

“I started out trying to create a lamp that would also function as a calendar. Wanting to get something that dealt more with form than numbers, I thought for a long time about the ways that we’ve marked time throughout history, and how we experience time in seasons. I also didn’t want to limit the accuracy of the lamp by location, and in the end what sifted out was the concept of the solstice. It’s just so wonderfully ancient, and the length of the day marks our lives in an innate way that transgresses barriers of culture and location.

From a form standpoint, it breaks the year into two segments of continuous movement as we move closer and further from the sun. The diameter of the nested hemispheres reflects the eclipsis, (the arc of the sun through the sky) which becomes measurably longer and longer, as the length of the day increases.”

It’s been a busy month for us, so we at People of Resource elected to leverage our 8×8 exhibitors booth toward a bit more progress on our many projects.

Depicted above is our attempt at a vertical studio. “Getting things done is the new black.”

We were impressed by the students’ enthusiasm, ideas, and skills. On top of that, they are stellar people conducting their studies in some incredible facilities.

The first part of the workshop was conducted over three days on campus in Savannah, culminating in a design competition with the prize being admission to the second workshop. That heralded second workshop took place in our own studio in Atlanta.

We have to confess – we had a blast and the workshop was revelatory in terms of providing opportunities for us to reexamine our own processes and assumptions. We’ve gotten a lot of traction out of the conversations that have emerged before, during, and after.

We’re busy combing through the mountain of documentation we created, but as soon as we have a handle on it, we’ll be posting a more comprehensive study of this endeavor.

People of Resource’s first collaboration with SEEDR revolved around a project initiated by SEEDR in partnership with the U.S. Centers for Disease Control, the Bill & Melinda Gates Foundation, and Georgia Tech’s Tennenbaum Institute: a cold-chain Polio Vaccine container. People of Resource contributed design consultation, a functional white model, and on-site rapid visualization for the project’s most recent collaborative workshop.

For Yellawood’s Spring 2010 marketing campaign, Armchair developed a contest wherein Yellawood fans could win various prize packages. Our contributions were toward a Backyard Games Prize Package: thirty-two custom-painted croquet mallets and the eight Yellawood-clad crates that contains all the games.

Our good friend Jason Travis made the photograph you see above. You can find more images of the project in links to Flickr in the sidebar of this post.

From the Georgia Tech press release: “the I2S competition seeks to find “early-stage products or venture concepts that [are] focused on creating a better world,” according to the Institute for Leadership and Entrepreneurship (ILE), which produces the competition. Although housed in the College of Management, the competition is open to all Tech undergraduate and graduate students and recent alumni…

“This competition fills a niche that’s very valuable, not only to the College of Management, but also to Georgia Tech as a whole,” says ILE Research Scientist Dóri Pap. “It really showcases the Institute’s best examples of social entrepreneurship.”

Needless to say, we’re quite proud of Cristina and eager to point out that she was victorious not just once, but twice over: her concept was selected as both a Social Solution Award Winner and a People’s Choice Award Winner.

Obscura is an exhibition of new works that are created to be self-illuminated and thereby only fully revealed and understood in an environment of total darkness. Stephen will be showing his series of lighting designs called “Origin of Species.” We don’t want to give anything away, but it involves concrete, suspension, and taxonomies of lighting devices. It is, in short, very SK.

Obscura will open this Saturday from 6 to 9 pm. We hope to see you there!